Egret Head, acrylic on paper, approximately 8″ h x 16″ w This Egret followed me around every day for a week. He would stand in my shadow and fish. I was able to make sketches and take photos up close.
“Charleston horse Number Two,” 24 x 38″ oil on canvas. SOLD.
Although the poster project for Charleston was canceled I received a phone call for and plants that the famous interior designer from Atlanta Georgia she was in charge of the Rittenhouse which was a Southern living home at Clemson University and she wanted to display my Charleston buggy horse in the home the patron who it bought it felt like he could live without it for the period of time it would be on display so she asked about consider painting a second one and since it originally been scheduled to be a series that was not a problem. The second horse sold also. The publicity exposure from being one the artists in the Wren House, I had six pieces in there, was of course helpful.
OIL ON CANVAS
Flyswatter, aquarelle watercolors
“Peanut Rearing,” 21″ x 29″ pencil heightened with gouache. SOLD.
I often travel with paper taped on boards so that if I see a scene I can stop and sketch it on one such day I saw this white horse prancing in the field it would rear up and Paul the air and then prints around I got out and went up to sketch the animal and is accommodated me by rearing up whenever I’d rear my hands up the drawing was of course very loose to the point of wildness. When I took it back to the studio I decided to heighten the picture with gouache a technique that was very popular in the Renaissance.
Horse Looking Over a Plank, watercolor, 21″ w x 31″ h
Plazzio Veccio Florence Italy watercolor 21 in h x 31 w 32 kb
Down by the Drinking Trough, aquarelle watercolors
Brahman linocut 12″ x 12″
Bull, ink on paper
“Paddles,” 18 x 24″ acrylic on paper. Commissioned.
Paddles was a very young dog just barely not a puppy anymore when the neighbor shot him with an arrow and left him to die in the yard when his owner told me the story and that she had only a couple of snapshots of a I agreed to do a painting based on his breed but with his color markings.
Oil on Canvas 18″ w x 24″ h
“Jeannie’s Dog,” 14 x 21″ gouache on acid-free paper. Sold.
I was supposed to be painting Jeannie but wonder dog ran up under the table I stopped and did a painting of the dog and for some reason we never got around to finishing Jeannies painting.
Poodles commission, oil on canvas, 24″ h x 36″ w
r. Buster, oil on canvas 36″ w x 24″ h
Egret Eating a Shrimp, 24″ x 30″ oil on canvas
“Egret Head,” 9″ x 16″ acrylic on paper. Sold.
This Egret follow me around one year and allowed me to do sketches and photographs that a closeness that’s not normally available with wildlife he gets so comfortable he would walk up and eat things that were practically touching my feet. That kind of closeness with a wild animal is rare and usually accomplished with a great deal of stillness on the part of the human.
Egret on Shore, acrylic on paper
Egret on piling at Kiawah, 11′ w x 14″ h
Dripping Egret, acrylic on canvas 20″ h x 30″w
Just Chillin’, oil on canvas, 24″ w x 36″ w
I AM EGRET!, Oil on canvas 24″ h x 36″ w
Egret head down acrylic on paper
Goose sketch, watercolor 13″ h x 22″ w
Thew Dipute, acrylic on panel
Digital StillCamera
Circle of Death, watercolor on paper 27″ w x 17″ h
